{"title":"Customer Favorites - Phono Preamps","description":"","products":[{"product_id":"parasound-jc3","title":"Parasound JC3+ Phono Preamplifier","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eParasound Halo JC 3+ Phono Preamplifier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003eA dual-mono, fully discrete Class A phono stage designed by John Curl — one of the most accomplished circuit designers in high-end audio — built to extract everything your cartridge is capable of.\u003c\/em\u003e\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat It Is and Who It's For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Parasound Halo JC 3+ is a dedicated phono preamplifier for serious analog listeners who have invested in a quality turntable and cartridge and refuse to let the signal path be the weak link. It is not a budget-friendly entry point and does not pretend to be. At its price, it competes directly with standalone phono stages from companies like Lehmann, Sutherland, and Musical Surroundings, and in most head-to-head evaluations it more than holds its own.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis is a unit for the listener who already knows what phono gain is, has opinions about loading, and has probably already outgrown the phono input in their integrated amplifier. It is equally at home driving a pair of monoblocks in a dedicated two-channel system or serving as the analog front-end anchor in a more complex home theater\/hi-fi hybrid. The JC 3+ handles both moving magnet and moving coil cartridges with equal seriousness, and its wide range of loading and gain options means it can be properly matched to virtually any cartridge currently in production.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eEngineering: Why This Phono Stage Is Different\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe name on the schematic matters here. John Curl is one of a very short list of engineers whose circuit topologies have been referenced, borrowed, and admired throughout the industry for decades. His work on the original Mark Levinson JC-1 preamplifier in the 1970s established his reputation, and his collaboration with the late Bob Crump on Parasound's JC series represents some of the most thoughtful analog circuit design available at anywhere near this price.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe JC 3+ is built around a fully discrete, dual-mono architecture. There are no op-amps in the signal path — every gain stage uses hand-selected, matched discrete transistors operating in pure Class A. The dual-mono layout means the left and right channels share only a power cord; everything else — power supply regulation, gain stages, RIAA equalization network — is completely independent. This matters because crosstalk between channels, even at very low levels, degrades stereo imaging. The JC 3+ takes that variable off the table entirely.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe RIAA equalization network is passive, implemented between two gain stages rather than as a single active network. This approach, often called a \"passive RIAA\" or \"split RIAA\" topology, allows each stage to operate at a lower gain with less feedback, which benefits noise performance and preserves the character of the discrete transistors. RIAA accuracy is specified at ±0.2 dB from 20 Hz to 20 kHz — a figure that reflects careful component selection, not just design intent.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eFor moving coil cartridges, the JC 3+ provides switchable input impedance in eleven steps from 25 ohms to 47k ohms, covering every MC cartridge in common use. Gain is also selectable: 40 dB for high-output moving magnet cartridges, 54 dB for high-output MC or low-sensitivity MM, and 64 dB for low-output moving coil cartridges. Capacitance loading for moving magnet is switchable among 100, 200, 320, and 420 pF. These are not marketing bullet points — they are the controls that allow a knowledgeable listener to systematically optimize the cartridge-to-preamplifier interface, which is one of the highest-leverage adjustments in all of analog playback.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe unit also incorporates a subsonic filter (12 dB\/octave at 20 Hz) to suppress warp-induced low-frequency cone excursion, and a mono\/stereo switch that is genuinely useful when playing back older mono pressings or diagnosing channel imbalance. Both features are implemented thoughtfully: the subsonic filter is steep enough to be effective without intruding into audible bass, and the mono switch sums the channels passively rather than introducing additional circuitry.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe chassis is built to Halo standards — the same fit and finish as the JC 1 monoblocks and JC 2 preamplifier. The rear panel is uncluttered and logically laid out. The front panel controls are clearly labeled and operate with satisfying precision. This is a product designed to be used by someone who cares about their system, not simply admired.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eHow It Compares: JC 3+ vs. Parasound JC 3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe original Parasound JC 3 remains one of the most respected phono stages in its class, and some listeners prefer its character. The JC 3+ is the revised, improved version, and the differences are substantive rather than cosmetic.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe JC 3+ adds a second gain stage to the moving coil path, which allows it to reach 64 dB of gain compared to the JC 3's maximum of 60 dB. This four-decibel difference is meaningful for very low-output MC cartridges — those in the 0.2–0.3 mV range — where the original JC 3 could fall slightly short in demanding systems. The JC 3+ also improves the power supply regulation, adding more capacitance and tighter voltage regulation to each channel, and the noise floor is measurably lower. Signal-to-noise ratio at full MC gain is specified at greater than 80 dB (IHF-A weighted), which is genuinely competitive with phono stages at significantly higher prices.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIf you are running a moving magnet cartridge or a high-output MC, the practical performance difference between the two is relatively small and system-dependent. If you are running a low-output MC — a Lyra, an Ortofon Windfeld, an Air Tight PC-1 — the JC 3+ is the right tool.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIf your budget is higher and you want to move up from the JC 3+, the conversation shifts to separate power supply options and reference-tier phono stages. We carry those options as well and are happy to discuss the full continuum.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eKey Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eType: Dual-mono fully discrete phono preamplifier\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eCartridge compatibility: Moving Magnet (MM) and Moving Coil (MC)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eMM Gain: 40 dB\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eMC Gain: 54 dB or 64 dB (switchable)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eInput Impedance (MC): 25, 50, 100, 200, 475, 1k, 2.5k, 10k, 22k, 47k ohms (11 positions)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eInput Impedance (MM): 47k ohms fixed\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eCapacitance Loading (MM): 100, 200, 320, 420 pF (4 positions)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eRIAA Accuracy: ±0.2 dB, 20 Hz–20 kHz\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eSignal-to-Noise Ratio: \u0026gt;80 dB (IHF-A weighted, MC at 64 dB gain)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eTHD+N: \u0026lt;0.0015% (1 kHz, 500 mV output)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eFrequency Response: 20 Hz–20 kHz\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eSubsonic Filter: 12 dB\/octave at 20 Hz (switchable)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eTopology: Discrete Class A, no op-amps in signal path\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eInputs: 1 pair RCA (MM\/MC switchable)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eOutputs: 1 pair RCA\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003ePower Consumption: Approximately 30W\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eDimensions: 17\" W × 3.5\" H × 15.75\" D (432 × 89 × 400 mm)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eWeight: 18.5 lbs (8.4 kg)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eWarranty: 5 years parts and labor (Parasound USA)\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhy Buy From All Elite Audio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAll Elite Audio is an authorized Parasound dealer, which means every JC 3+ we sell comes with full factory warranty coverage and factory-direct support. We have listened to this unit extensively and can speak to how it performs with specific cartridge and tonearm pairings in real systems. If you want to talk through whether the JC 3+ is the right match for your cartridge's output voltage and impedance, we are glad to have that conversation before you buy.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eCall us at \u003cstrong\u003e443-402-5055\u003c\/strong\u003e, text us at \u003cstrong\u003e443-402-5064\u003c\/strong\u003e, or visit us at \u003cstrong\u003e1921 York Rd, Timonium, MD 21093\u003c\/strong\u003e. We are open six days a week and we answer the phone.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eFrequently Asked Questions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat is the Parasound JC 3+ and why does it cost what it costs?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe JC 3+ is a dedicated phono preamplifier — a device whose sole job is to amplify the extremely small signal from a turntable cartridge and apply the RIAA equalization curve that vinyl records require. Unlike the phono input built into most receivers or integrated amplifiers, the JC 3+ uses fully discrete Class A circuitry designed by John Curl, one of the most respected audio engineers in the industry. The price reflects the quality of the components, the depth of the engineering, and the precision of the manufacturing. You are not paying for a brand name — you are paying for a circuit that was genuinely designed from first principles by someone who has been doing this for fifty years.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDo I need a separate phono preamplifier if my amplifier or receiver already has a phono input?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eYou do not need one, but for most systems at this performance level, a dedicated external phono stage is a significant upgrade. The phono inputs built into integrated amplifiers and receivers are designed to a cost target, use op-amp-based circuits, and share a power supply and chassis with components that generate noise. The JC 3+ is isolated from all of that, uses a completely separate dual-mono power supply, and operates in a noise environment orders of magnitude quieter. If your cartridge costs more than a few hundred dollars, you are very likely leaving performance on the table by running it through a built-in phono stage.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDoes the Parasound JC 3+ come with a cartridge?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNo. The JC 3+ is a phono preamplifier only — it does not include a cartridge, tonearm, or turntable. It connects between your turntable's tonearm output (or phono output if your table has one) and your line-level preamplifier or integrated amplifier's line input. If you are purchasing a complete analog front end and need cartridge guidance, we are happy to recommend pairings based on your tonearm's effective mass and your budget.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat phono stage or preamplifier does the JC 3+ connect to?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe JC 3+ outputs a standard line-level signal via RCA, which connects to any line-level input on a preamplifier, integrated amplifier, or receiver. Do not connect it to a phono input — connect it to an aux, CD, tuner, or similarly labeled line input. The output impedance is low and it will drive virtually any downstream component without issue.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eHow do I know which gain setting to use?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eGain selection depends on your cartridge's output voltage. Moving magnet cartridges typically output 3–5 mV, which works well with the 40 dB setting. High-output moving coil cartridges (1.5–2.5 mV output) typically work best at 54 dB. Low-output moving coil cartridges — those outputting 0.2–0.5 mV — require the 64 dB setting. Your cartridge's specification sheet will list its output voltage; if you are not sure, call us and we can help you choose the right setting for your specific cartridge.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eHow do I set the loading for a moving coil cartridge?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLoading refers to the input impedance presented to the cartridge by the phono stage, and it affects the cartridge's high-frequency response and overall tonal balance. The general starting rule is that MC cartridge loading should be set to at least ten times the cartridge's internal coil impedance, but many cartridges sound best at significantly higher values. The JC 3+ offers eleven impedance positions from 25 to 47,000 ohms. We recommend starting at 100 ohms for most low-output MC cartridges and experimenting upward if the sound seems closed-in or downward if it seems overly bright. If you want a recommendation for a specific cartridge, we can provide one.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eHow does the JC 3+ compare to the original Parasound JC 3?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe JC 3+ is the refined successor to the JC 3, with three meaningful improvements: maximum MC gain is increased from 60 to 64 dB, which matters for very low-output moving coil cartridges; the dual-mono power supply regulation is tightened with added capacitance and lower noise voltage references; and the noise floor at maximum MC gain is measurably lower. For moving magnet or high-output MC users, the audible difference is subtle and system-dependent. For owners of low-output MC cartridges in the 0.2–0.3 mV range, the JC 3+ is the meaningfully better tool. Both are outstanding; the JC 3+ is simply the more capable, more fully developed version.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat cartridges pair particularly well with the JC 3+?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe JC 3+ is a neutral, low-noise, high-gain phono stage that does not editorialize — it pairs well with virtually any quality cartridge. Its extended loading options and high-gain MC mode make it especially well-suited for low-output moving coil cartridges from makers like Lyra, Ortofon (the Cadenza and Windfeld lines), Hana, Audio-Technica (the ART and OC9 series), ZYX, and Koetsu. For moving magnet, it handles everything from a vintage Shure V15 to a current-production Nagaoka or Audio-Technica VM series cartridge with equal competence. We are happy to discuss specific pairing recommendations.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCan the JC 3+ handle a mono cartridge or mono records?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eYes on both counts. The JC 3+ includes a front-panel mono\/stereo switch that sums the two channels to mono, which is the correct way to play back mono records — it reduces noise by 3 dB and eliminates any lateral channel imbalance. If you are playing mono records with a standard stereo cartridge (which tracks the groove properly), engaging mono mode is always recommended. If you have a dedicated mono cartridge, the JC 3+ will work perfectly with it as well.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eIs the JC 3+ a balanced design? Can I run it with XLR cables?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe JC 3+ is a single-ended design with RCA inputs and outputs — it does not offer XLR connections. The circuit's dual-mono topology provides many of the noise and isolation benefits of a fully balanced design without requiring balanced interconnects. If your downstream preamplifier has XLR inputs but no RCA inputs, a high-quality RCA-to-XLR adapter will work, though you will not gain the interference rejection benefits of a true balanced connection. For the vast majority of installations — including very long cable runs in treated rooms — this is not a practical limitation.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhere can I buy the Parasound JC 3+ and hear it before purchasing?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAll Elite Audio at 1921 York Rd, Timonium, MD 21093 is an authorized Parasound dealer with the JC 3+ in stock. We are the best place to buy it because you can speak directly with someone who has spent time with this unit in real systems and can answer technical questions honestly — including when a less expensive option might serve you better. Call us at \u003cstrong\u003e443-402-5055\u003c\/strong\u003e, text at \u003cstrong\u003e443-402-5064\u003c\/strong\u003e, or stop in. If you are outside the Baltimore area, we can arrange purchase and shipping with full factory warranty coverage.\u003c\/p\u003e","brand":"Parasound","offers":[{"title":"Default Title","offer_id":44131056386101,"sku":"","price":3350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/1704\/1461\/files\/Untitled_3840x2160px_31.png?v=1737436811"},{"product_id":"teac-audio-pe-505-fully-balanced-phono-amplifier","title":"TEAC Audio PE-505 Fully-Balanced Phono Amplifier","description":"\u003cp style=\"text-align: center;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e*SILVER FINISH MODELS ARE SPECIAL ORDERS - CALL FOR DETAILS*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eTEAC Audio PE‑505\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eElevate your vinyl playback to professional level with the TEAC Audio PE-505 — a fully-balanced phono equaliser amplifier built for ultimate precision and control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Description\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe TEAC Audio PE-505 is a high-end phono equalising amplifier designed for analog purists and serious vinyl enthusiasts. It features a fully-balanced dual-monaural circuit from input to output, providing exceptional channel separation and minimal noise. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWhether you use a moving magnet (MM) or moving coil (MC) cartridge, the PE-505 delivers outstanding flexibility with switchable gain settings, selectable load impedance and capacitance, and even legacy EQ curves (such as DECCA and COLUMBIA) for pre-RIAA era records. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIts build and sound character reflect TEAC’s professional-studio DNA — reviewers praise its wide soundstage, deep bass control, and ability to reveal fine analog detail without fatigue. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain (MM RCA, Low): \u003c\/strong\u003e34 dB; Gain (MM RCA, High): 46 dB \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain (MC RCA, Low): \u003c\/strong\u003e54 dB; Gain (MC RCA, High): 66 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBalanced output (XLR) rated output level:\u003c\/strong\u003e 4 Vrms; Output impedance: 126 Ω \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS\/N Ratio: \u003c\/strong\u003e106 dB (MM RCA) \/ 86 dB (MC XLR) \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal harmonic distortion (MM RCA):\u003c\/strong\u003e 0.002%; (MC RCA\/XLR): 0.02% \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRIAA deviation:\u003c\/strong\u003e ±0.05 dB (20 Hz–20 kHz) \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSubsonic filter: \u003c\/strong\u003e17 Hz, –24 dB\/octave \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUnbalanced input:\u003c\/strong\u003e RCA pair (MM\/MC compatible) × 1; Balanced input: XLR pair (MC only) \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions (W × H × D):\u003c\/strong\u003e 290 × 84.5 × 252.5 mm (11.4″ × 3.3″ × 9.9″) \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e Approx. 4.5 kg (10.0 lbs) \u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTop 20 Questions About TEAC Audio PE-505\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat types of cartridges does the TEAC Audio PE-505 support?\u003c\/strong\u003e\u003cbr\u003eThe PE-505 supports both MM (moving magnet) and MC (moving coil) cartridges, with switchable gain and load settings to accommodate a wide variety of models.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the TEAC Audio PE-505 feature balanced outputs?\u003c\/strong\u003e\u003cbr\u003eYes — the PE-505 provides a fully-balanced XLR output pair alongside the standard RCA output, enabling high-end system integration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan I connect a mono turntable or single mono channel to the TEAC Audio PE-505?\u003c\/strong\u003e\u003cbr\u003eYes — the PE-505 includes a mono function that can sum left and right channels for monaural playback. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat load impedance options are available on the TEAC Audio PE-505 for MC cartridges?\u003c\/strong\u003e\u003cbr\u003eThe PE-505 allows selectable load resistance settings: 10, 22, 47, 100, 220, 470, 1 kΩ for MC input. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat load capacitance options are available for MM cartridges on the TEAC Audio PE-505?\u003c\/strong\u003e\u003cbr\u003eFor MM cartridges the load capacitance is selectable: 0, 100, 220, 330 pF. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the TEAC Audio PE-505 support legacy EQ curves?\u003c\/strong\u003e\u003cbr\u003eYes — in addition to RIAA, the PE-505 supports DECCA and COLUMBIA EQ curves for older monaural records. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is the signal-to-noise ratio of the TEAC Audio PE-505?\u003c\/strong\u003e\u003cbr\u003eThe S\/N ratio is rated at 106 dB for MM input (RCA) and 86 dB for MC input (XLR) under low gain conditions. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is the total harmonic distortion for the TEAC Audio PE-505?\u003c\/strong\u003e\u003cbr\u003eThe distortion is very low: 0.002% for MM RCA input and 0.02% for MC RCA\/XLR input (at 1 kHz, GAIN Low). \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the TEAC Audio PE-505 include a subsonic filter?\u003c\/strong\u003e\u003cbr\u003eYes — the PE-505 includes a subsonic filter at 17 Hz, with a –24 dB\/octave roll-off for cleaning up rumble and infrasonic noise. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan I upgrade the TEAC Audio PE-505 firmware or use external controls?\u003c\/strong\u003e\u003cbr\u003eWhile primarily an analog design, the PE-505 includes front-panel functionality like impedance measurement and cartridge demagnetisation. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat does the cartridge demagnetise (DEMAG) function do on the TEAC Audio PE-505?\u003c\/strong\u003e\u003cbr\u003eThe DEMAG function demagnetises the iron cores in MC cartridges and step-up transformers by playing a disc for about 30 seconds in DEMAG mode. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat are the output levels of the TEAC Audio PE-505?\u003c\/strong\u003e\u003cbr\u003eThe unbalanced RCA output rated level is 2 Vrms; the balanced XLR output is 4 Vrms. \u003cbr\u003equestforsound.com\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIs the TEAC Audio PE-505 compact enough for smaller systems?\u003c\/strong\u003e\u003cbr\u003eYes — with dimensions approx 290 × 84.5 × 252.5 mm, it fits well into standard systems and is lighter than many high-end phono stages. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat kind of finish options does the TEAC Audio PE-505 come in?\u003c\/strong\u003e\u003cbr\u003eIt is available in both silver and black finishes depending on region\/variant. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is the recommended pairing for the TEAC Audio PE-505?\u003c\/strong\u003e\u003cbr\u003ePair the PE-505 with a quality cartridge (MM or MC) and use the balanced outputs if your amplifier supports XLR; a decoupled shelf and good grounding will maximise its performance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the TEAC Audio PE-505 require any special calibration?\u003c\/strong\u003e\u003cbr\u003eIt does not need complex calibration beyond setting loading and gain to match your cartridge; using the MEASURE key you can verify load impedance including cable resistance. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow is build quality on the TEAC Audio PE-505?\u003c\/strong\u003e\u003cbr\u003eReviewers mention high-quality construction including pinpoint feet to isolate vibration, a premium finish and studio-level circuit design. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWill the TEAC Audio PE-505 improve sound over a basic phono stage?\u003c\/strong\u003e\u003cbr\u003eYes — especially with a quality turntable and cartridge, the PE-505 offers better resolution, lower noise floor and more control over loading than most entry-phono stages.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat warranty comes with the TEAC Audio PE-505?\u003c\/strong\u003e\u003cbr\u003eThe PE-505 comes with a standard 1-year manufacturer warranty covering parts and labour.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFor assistance or product questions regarding the TEAC Audio PE-505…\u003c\/strong\u003e\u003cbr\u003eFor assistance or product questions, call 443-402-5055 or text 443-402-5064 to reach our team at All Elite Audio, your authorized Maryland dealer with a full home audio showroom.\u003c\/p\u003e","brand":"TEAC","offers":[{"title":"Black","offer_id":44640852246581,"sku":null,"price":2499.0,"currency_code":"USD","in_stock":true},{"title":"Silver","offer_id":44640852279349,"sku":null,"price":2499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/1704\/1461\/files\/1_dfcb9591-d6e1-48fb-891a-9f3605f1714f.png?v=1737689080"},{"product_id":"accuphase-c-57-stereo-phono-amplifier","title":"Accuphase C-57 Stereo Phono Amplifier","description":"\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.375rem] font-bold\"\u003eAccuphase C-57 Stereo Phono Amplifier\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003eThe most technically advanced phono preamplifier in Accuphase's standalone component history — a fully balanced dual-mono design with an ANCC-equipped eight-parallel bipolar MC head amplifier, guaranteed input referred noise of –156 dBV, and RIAA equalization accurate to ±0.3 dB from 10 Hz to 20 kHz.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat It Is and Who It's For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Accuphase C-57 is a dedicated stereo phono equalizer amplifier — a standalone component whose entire engineering budget is directed at a single problem: taking the extraordinarily weak signal from a phono cartridge, applying the inverse RIAA equalization curve with exceptional precision, and delivering a clean line-level output with minimal noise and distortion added along the way. It supports both moving-magnet and moving-coil cartridges, with gain and loading adjustable from the front panel across a range that covers virtually every cartridge in production.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe C-57 is the fourth generation of Accuphase's standalone phono amplifier line, following the C-27 (2008), C-37 (2014), and C-47 (2020). Each generation has brought meaningful engineering advances. The C-57's defining advances over the C-47 are the application of ANCC noise and distortion cancellation to the MC head amplifier — a first for any Accuphase phono stage — the addition of a dedicated balanced MC phono input, the introduction of a 60 Ω MC loading option between the C-47's 30 Ω and 100 Ω settings, and circuit topologies drawn directly from the C-3900 reference preamplifier and E-800S integrated amplifier. The guaranteed input referred noise improves by 1 dB over the C-47, reaching –156 dBV for MC — a figure Accuphase's own documentation describes as world-champion-class.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe buyer who chooses the C-57 is a serious vinyl listener who has invested in a high-quality turntable, tonearm, and cartridge — and understands that an inadequate phono stage is the bottleneck through which all of that upstream investment passes. It is also the right choice for any system built around Accuphase separates, because the C-57's fully balanced output connects directly into the balanced inputs of the C-2300, C-2900, or any Accuphase integrated amplifier with balanced line inputs, creating an unbroken balanced signal path from stylus to speaker.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eThe Two-Stage Architecture — Why Head Amp and Equalizer Are Separate\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eEvery phono equalizer amplifier must accomplish two tasks: amplify the cartridge signal by 40 to 70 dB depending on cartridge type, and apply the inverse RIAA equalization curve that restores flat frequency response to recordings cut with the RIAA standard's deliberate bass attenuation and treble boost. The quality of the result depends almost entirely on how those two tasks are sequenced and how much gain is concentrated in the lowest-noise stage.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe C-57 uses a two-stage architecture that addresses this directly. The first stage is the head amplifier — a dedicated circuit optimized purely for low-noise, high-gain amplification of the cartridge signal before any equalization is applied. The MC head amplifier provides 50 dB of gain; the MM head amplifier provides 20 dB of gain. The second stage is the equalizer amplifier, which applies the RIAA curve with high precision. By front-loading the majority of the total gain into the head amplifier stage, the C-57 ensures that the noise floor of the equalizer stage — which is unavoidably higher than the head amp at the signal levels it operates at — is suppressed relative to the signal level when it enters. The equalization is applied to a signal that is already substantially amplified and therefore already well above the noise floor of the equalizer circuit. This is the fundamental reason a two-stage design achieves lower noise than a single-stage phono amplifier of equivalent total gain.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eThe MC Head Amplifier: Eight Parallel Bipolars and ANCC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe MC head amplifier uses eight parallel low-noise bipolar transistors in a current feedback configuration. The parallelism serves the same noise-reduction function as MCS+ in the power amplifiers: correlated signal sums at full level across all eight devices, while uncorrelated thermal noise partially cancels because it is independent in each device. With eight devices in parallel rather than one, the theoretical noise improvement is a factor of √8 — approximately 9 dB — before any other noise-reduction technique is applied.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTo this foundation, the C-57 adds ANCC — Accuphase Noise and Distortion Cancelling Circuit — to the MC head amplifier for the first time in any Accuphase phono stage. ANCC works by deploying a dedicated sub-amplifier alongside the main amplifier. The sub-amplifier continuously monitors the noise and distortion components at the main amplifier's output, generates a correction signal of opposite polarity, and feeds that correction back to cancel the noise and distortion in the main circuit. The sub-amplifier used for this purpose is itself a balanced low-noise design. The combination of eight-parallel bipolar inputs, current feedback topology, and ANCC produces the guaranteed input referred noise of –156 dBV at the MC input — 1 dB better than the C-47, and an improvement that is achieved at the most critical point in the circuit where the signal is smallest and most vulnerable to contamination.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe MM head amplifier uses a different approach appropriate to the different characteristics of moving-magnet cartridges: three parallel low-noise junction FETs (JFETs) in a current feedback configuration. JFETs offer lower noise at the higher impedances typical of MM cartridges than bipolar transistors, which perform better at the low impedances of MC cartridges. The MM stage does not use ANCC — the higher output voltage of MM cartridges (typically 2.5–5 mV versus 0.1–0.5 mV for MC) means the absolute noise requirement is less stringent, and the JFET parallel topology alone achieves the necessary performance.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhy MC Gets a Balanced Input and MM Does Not\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe C-57 provides one dedicated balanced XLR phono input for MC cartridges and three unbalanced RCA inputs for both MC and MM. This arrangement is deliberate and technically justified — it is not a cost-cutting measure. Accuphase's technical documentation explains the reason precisely: most moving-magnet cartridges have a static shield in their generator assembly, and that shield is connected to the negative polarity side of the signal. If an MM cartridge is connected via a balanced input, the noise at the positive and negative signal lines inside the cartridge is asymmetrical because the static shield introduces a path that breaks the symmetry the balanced input relies on for common-mode rejection. The noise cancellation benefit of the balanced connection is lost, and the balanced input actually performs worse than the unbalanced connection for MM. MC cartridges do not have this constraint, so balanced connection genuinely improves noise rejection for MC — which is exactly where lower noise is most critical, given MC cartridges' much lower output voltages.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eRIAA Equalization, The Fluorocarbon PCB, and the Power Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe RIAA equalization curve must be reproduced with extreme precision. A 1 dB deviation at 20 Hz represents a measurable tonal imbalance across the entire bass region. The C-57 guarantees RIAA deviation of ±0.3 dB across the full 10 Hz to 20 kHz range, achieved through hand-selected high-precision resistors and capacitors in the equalizer stage. This is a tighter specification than the ±0.5 dB that many phono stages at this level achieve.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe PCB substrate used for the disc equalizer assembly is glass fiber cloth fluorocarbon resin — the same material used in Accuphase's flagship preamplifiers. This substrate has a lower dielectric constant and lower dielectric loss than standard FR4 fiberglass, which matters for high-frequency signal integrity and for thermal stability of the component values that determine the RIAA curve. At the frequency extremes of the audio band, where RIAA deviations are hardest to control, the PCB's electrical properties contribute to the accuracy of the equalization.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe power supply architecture matches the dual-mono circuit layout. Each channel has its own dedicated toroidal transformer — low flux leakage designs that minimize stray magnetic field coupling into the amplifier circuits — and its own low-noise regulated power supply circuit with four 15,000 μF filtering capacitors. That is eight 15,000 μF capacitors in total, providing 120,000 μF of total filter capacitance across the two channels. A separate dedicated low-noise power supply is provided for the ANCC circuit itself, preventing the switching activity of the cancellation circuit from coupling into the main signal supply. All signal paths are physically shortened by placing all amplifiers on a single PCB assembly, minimizing the loop area available for noise pickup.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eInputs, Outputs, Controls, and Per-Input Memory\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe C-57 provides one balanced XLR MC input and three unbalanced RCA inputs — each of which can be configured independently for MC or MM operation with its own saved gain and loading settings. When you change inputs, the C-57 recalls that input's last-used settings automatically. This is practically useful in a system with multiple turntable or cartridge configurations, or when switching between an MC and MM cartridge on different inputs without reconfiguring the front panel each time.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe gain selector provides MC settings of 64 dB and 70 dB, and MM settings of 34 dB and 40 dB. The MC loading selector offers seven impedance positions: 10, 30, 60, 100, 200, 300, and 1,000 ohms. The 60 Ω setting is new with the C-57, added to provide finer resolution between the 30 Ω and 100 Ω positions that the C-47 offered — useful for cartridges whose manufacturers specify optimal loading in the 40–80 Ω range. The MM loading selector offers 1 kΩ, 47 kΩ, and 100 kΩ. All settings are displayed on a 7-segment LED display on the front panel. The subsonic filter operates at 10 Hz with a –12 dB per octave slope and is switchable on or off from the front panel.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eOutput is provided on both balanced XLR (with a polarity selector allowing phase inversion of the balanced output independently) and unbalanced RCA. The maximum output voltage is 8.0 V at 0.01% THD, which is sufficient to drive any preamplifier without clipping even on the most dynamically compressed recordings. Output impedance is low enough to drive long interconnect runs to the preamplifier without high-frequency loss.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eHow the C-57 Compares: C-47, the AD-60 Option Board, and Standalone Competitors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe C-47 that the C-57 replaces was an excellent phono stage that established a strong reputation over its production life. The C-57's improvements over it are specific and meaningful: ANCC on the MC head amplifier (a first in the lineup), guaranteed input noise 1 dB lower at –156 dBV, the addition of the 60 Ω MC loading option, the dedicated balanced MC phono input, and circuit topologies from Accuphase's current reference components. For C-47 owners, the C-57 is a genuine upgrade for the MC signal path in particular. For new buyers, the C-57 is simply the current state of the art in standalone phono amplification from Accuphase.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAgainst the AD-60 option board available for the C-2300, C-4000, and E-series amplifiers: the AD-60 is an excellent solution for a system where expansion slot phono amplification is sufficient, and it uses high-quality circuitry by any reasonable standard. The C-57 is a dedicated chassis with a more elaborate power supply (dual independent transformers versus a single shared supply drawn from the host unit), more loading options, ANCC on the MC head amp, and the fully balanced circuit topology that the plug-in format cannot match. For a system that centers on vinyl playback and where the turntable and cartridge represent a meaningful investment, the C-57 is the correct choice. For a system where vinyl is secondary to digital sources and the AD-60's performance level is sufficient, the option board is a practical and genuinely capable solution.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAgainst standalone competitors at this level — the Esoteric E-02, the Boulder 508, the Pass Labs XP-17, the CH Precision P1 — the C-57 stands out for the ANCC-enhanced MC head amplifier, the dual-mono power supply with four 15,000 μF capacitors per channel, the fluorocarbon resin PCB, and the transparency of its guaranteed specifications. It consistently competes with phono stages priced well above it, as independent reviewers have noted.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eKey Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eCircuit Type: Fully balanced stereo phono equalizer amplifier, dual-mono construction\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eCartridge Support: Moving-coil (MC) and moving-magnet (MM)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eMC Head Amplifier: 8-parallel low-noise bipolar transistors, current feedback, ANCC\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eMM Head Amplifier: 3-parallel low-noise JFETs, current feedback\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eInternal Gain Split: Head amp MC 50 dB \/ Equalizer; Head amp MM 20 dB \/ Equalizer\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eTotal Gain (MC): 64 dB or 70 dB (selectable)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eTotal Gain (MM): 34 dB or 40 dB (selectable)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eMC Load Impedance: 10 \/ 30 \/ 60 \/ 100 \/ 200 \/ 300 \/ 1,000 Ω (7 positions)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eMM Load Impedance: 1 kΩ \/ 47 kΩ \/ 100 kΩ (3 positions)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eRIAA Equalization Accuracy: ±0.3 dB (10 Hz–20 kHz, guaranteed)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eTotal Harmonic Distortion: 0.005% (1 kHz, rated output)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eInput Referred Noise: –156 dBV (MC, guaranteed); –136 dBV (MM, guaranteed)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eSignal-to-Noise Ratio: 98 dB (MC, 64 dB gain); 108 dB (MM, 34 dB gain)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eMaximum Output Level: 8.0 V (0.01% THD)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eRated Output Voltage: 2.5 V\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eSubsonic Filter: 10 Hz, –12 dB\/octave, switchable\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eInputs: 1 × balanced XLR (MC dedicated); 3 × unbalanced RCA (MC or MM)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eOutputs: 1 × balanced XLR (with polarity selector); 1 × unbalanced RCA\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003ePer-Input Settings Memory: Yes — gain and loading stored per input\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003ePower Supply: Dual independent toroidal transformers; 15,000 μF × 4 per channel (8 capacitors total); dedicated ANCC power supply\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003ePCB Substrate: Glass fiber cloth fluorocarbon resin\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003ePower Consumption: 22 W\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eDimensions (W × H × D): 465 × 114 × 407 mm (18.3″ × 4.5″ × 16.0″)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eWeight: 14.8 kg (32.6 lbs)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eChassis: Hairline-finished aluminum top plate; natural wood grain side panels; high-carbon cast iron insulators\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eCountry of Origin: Japan\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eWarranty: Contact All Elite Audio for current warranty terms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhy Buy From All Elite Audio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAll Elite Audio is an authorized Accuphase dealer. Every C-57 we sell is sourced through legitimate North American distribution with full manufacturer warranty coverage. Accuphase does not honor warranty claims on gray-market imports. Our staff knows the Accuphase phono amplifier line and carries the turntables, cartridges, and associated components that pair with it. If you are building a vinyl-centered system around Accuphase separates, we can discuss the complete signal chain — from cartridge loading and gain matching through to the balanced connection into your preamplifier — and we are glad to take the time that conversation requires.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eCall 443-402-5055 \/ Text 443-402-5064 \/ Visit 1921 York Rd, Timonium, MD 21093\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eFrequently Asked Questions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat is the difference between the C-57 and the C-47 it replaces?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe C-47 was a genuinely excellent phono stage that earned a strong reputation during its production life, and the C-57 improves on it in specific and audible ways. The most significant advance is the addition of ANCC — Accuphase Noise and Distortion Cancelling Circuit — to the MC head amplifier, a first in any Accuphase phono stage. This reduces the guaranteed input referred noise by 1 dB to –156 dBV, meaning the C-57 is measurably quieter at the point in the circuit where quietness matters most. The C-57 also adds a dedicated balanced XLR MC phono input, allowing a fully balanced connection from a turntable or tonearm wired for balanced output — a capability the C-47 lacked. The new 60 Ω MC loading position fills a practical gap between the 30 Ω and 100 Ω settings, covering a range of cartridges whose optimal loading falls between those values. The circuit topologies draw from Accuphase's current reference components, the C-3900 preamplifier and E-800S integrated amplifier, representing the state of the art in low-noise analog circuit design at the time of the C-57's development.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhy does the C-57 have a balanced input for MC but not for MM?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis is one of the most frequently asked technical questions about the C-57, and Accuphase's answer is precise and worth understanding. A balanced input improves noise performance by rejecting common-mode interference — noise that appears equally on both the positive and negative signal lines is cancelled by the differential input amplifier. For this to work, the noise on both lines must be equal in level and opposite in polarity, which is the definition of common-mode noise. Moving-magnet cartridges have a static shield inside the generator assembly that is connected to the negative polarity side of the signal. This breaks the symmetry between the positive and negative signal lines: the noise at the positive line and the noise at the negative line are no longer equal, so the differential input cannot cancel them. Connecting an MM cartridge through a balanced input actually degrades performance compared to the unbalanced connection. MC cartridges do not have this constraint, so balanced connection genuinely improves noise rejection — which is exactly where the benefit matters most, since MC cartridges have much lower output voltages and are therefore far more sensitive to noise contamination.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat does \"input referred noise of –156 dBV\" mean in practice?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eInput referred noise is the standard way to express a phono stage's noise floor independently of its gain setting — it describes the equivalent noise voltage at the input that would produce the observed output noise if the circuit were otherwise noiseless. A value of –156 dBV means the equivalent input noise is approximately 0.5 nanovolts — 0.0000000005 volts. To put that in context, the output of a typical low-output MC cartridge is around 0.2–0.5 millivolts, which is roughly 400,000 to 1,000,000 times larger than the C-57's input referred noise. Accuphase describes this specification as world-champion-class, and based on published specifications from competing products at this price level, that characterization is accurate. In listening terms, this noise floor translates to complete silence between notes, during quiet passages, and at the runout groove of a record — the kind of silence that lets the music emerge from a black background rather than from a low hiss.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eHow do I choose the right MC loading for my cartridge?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMC cartridge loading affects both frequency response and the cartridge's electrical behavior with the tonearm. Most cartridge manufacturers specify a recommended load impedance — this should be your starting point. The C-57's seven settings (10, 30, 60, 100, 200, 300, and 1,000 Ω) cover the full range of production MC cartridges, from very low-impedance designs that need 10–30 Ω loading down to higher-impedance MCs that prefer 300 Ω or 1,000 Ω. The 60 Ω setting added in the C-57 is specifically useful for cartridges whose manufacturers specify optimal loading in the 40–80 Ω range — a gap that existed in the C-47's lineup. If your cartridge's documentation does not specify a loading recommendation, a practical starting point is to set the load to approximately ten times the cartridge's internal impedance. Loading affects tonal balance: too low a load impedance can sound lean and bright; too high can sound soft and rolled-off in the treble. The C-57's per-input memory means you can set the optimal loading for each cartridge you own and recall it instantly when you switch inputs.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eHow does ANCC work in the MC head amplifier?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eANCC — Accuphase Noise and Distortion Cancelling Circuit — places a dedicated sub-amplifier alongside the main MC head amplifier circuit. The sub-amplifier continuously monitors the noise and distortion components present at the main amplifier's output, generates a correction signal of equal magnitude and opposite polarity, and injects that correction back into the main circuit to cancel the unwanted components. The sub-amplifier used for this purpose is itself a balanced low-noise design, specified to avoid adding its own noise to the correction signal. The effect is active noise and distortion cancellation in real time, on top of the passive noise reduction already achieved by the eight-parallel bipolar transistor input stage. ANCC was previously used in Accuphase preamplifier and integrated amplifier circuits; applying it to the MC head amplifier — where the signal is at its smallest and most vulnerable — is the most challenging and highest-value application of the technology in the phono amplification context.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCan the C-57 handle very low-output MC cartridges?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eYes, and this is one of its practical strengths. The 70 dB MC gain setting with 10 Ω loading allows the C-57 to work effectively with cartridges whose output is as low as 0.05 mV — the territory of reference-grade cartridges like the Audio Note Io, the Lyra Atlas, and the van den Hul Colibri, all of which are designed to reward an exceptional phono stage. The guaranteed input referred noise of –156 dBV means that even at these extreme output levels, the signal-to-noise ratio at the C-57's output is meaningful. For a cartridge with 0.1 mV output at 70 dB gain, the output signal is 10 V — well above the noise floor and well within the C-57's 8 V maximum output capability. If you are considering a very low-output cartridge and want to verify compatibility with your specific model, contact us and we can work through the gain and loading math with you.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eHow does the C-57 compare to using the AD-60 phono board inside an Accuphase preamplifier or integrated amplifier?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe AD-60 is a high-quality phono module that Accuphase offers for installation in the option slots of the C-2300, C-4000 series, and E-series integrated amplifiers. It is a genuinely capable circuit that outperforms most standalone phono stages at its price point. The C-57 is a step beyond it in several respects that matter for a vinyl-focused system. The C-57 has a more elaborate power supply — two independent cased toroidal transformers drawing from no other circuitry, versus the AD-60's shared supply from the host unit — which in a phono stage handling signals in the microvolt range is a meaningful difference. The C-57's ANCC-equipped MC head amplifier achieves lower guaranteed input noise than the AD-60. The C-57 provides seven MC loading positions versus the AD-60's five, adds the 60 Ω option, and provides a dedicated balanced MC input. For a system in which vinyl is primary and the turntable and cartridge represent a serious investment, the C-57 is the correct answer. For a system in which vinyl is important but not the primary source, and the convenience of an all-in-one chassis matters, the AD-60 is an excellent choice.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat turntables and cartridges pair well with the C-57 at All Elite Audio?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe C-57's flexibility — seven MC loading positions, two MC gain settings, and three MM loading positions — means it is compatible with essentially the full range of serious cartridges in production. At All Elite Audio we carry turntables from Thorens, and can discuss cartridge pairings appropriate to your tonearm and gain requirements. The C-57 is particularly well-suited to systems using low-output MC cartridges from makers like Ortofon (Cadenza series, Anna), Lyra, Audio-Technica (AT-ART series), or Accuphase-compatible setups using any of the cartridges we stock. If you are building or upgrading a vinyl system and want guidance on the complete chain — turntable, tonearm, cartridge, loading, and gain — call or visit us. The answer depends on your existing equipment and budget, and we are glad to work through it properly.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDoes the C-57 need a separate preamplifier or can it connect directly to a power amplifier?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe C-57 is a phono preamplifier, not a full line preamplifier. It provides RIAA equalization and gain for phono cartridges and outputs a line-level signal at its balanced XLR or unbalanced RCA output jacks. That output is suitable for any preamplifier's line-level input. However, the C-57 does not include a volume control or source switching for other inputs — it is a dedicated phono stage that belongs upstream of a full preamplifier such as the C-2300 or C-2900 in a separates system. It is not designed to drive a power amplifier directly, and should not be connected to a power amplifier's input without an intervening preamplifier that provides volume control. The maximum output of 8.0 V is high enough to overdrive a power amplifier if the gain is set high and a loud passage is played — always use the C-57 with a preamplifier in between.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhere can I buy the Accuphase C-57?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Accuphase C-57 is available at All Elite Audio, an authorized Accuphase dealer at 1921 York Rd, Timonium, MD 21093. We carry the Accuphase phono amplifier and preamplifier line and can demonstrate how the C-57 integrates into a complete system. Buying from an authorized dealer is the only way to ensure full manufacturer warranty coverage — Accuphase does not honor warranty claims on gray-market units. Call us at 443-402-5055, text us at 443-402-5064, or visit the showroom. Vinyl playback at this level deserves a real conversation, and we are glad to have it.\u003c\/p\u003e","brand":"Accuphase","offers":[{"title":"Default Title","offer_id":44571111358517,"sku":null,"price":12575.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/1704\/1461\/files\/8_8a94ac5f-8b35-40e9-9f2f-d5c24620a3ca.png?v=1765304805"},{"product_id":"luxman-e-07-phono-preamplifier","title":"Luxman E-07 Phono Preamplifier","description":"\u003cp\u003e\"The quietest phono preamp I've ever used – dead silent even on headphones.”\u003cbr\u003e\"It lets the music pass through more completely than anything else I've heard.”\u003cbr\u003e\"Natural, harmonically dense, effortless musicality – no hype, no aggression, just pure music.”\u003c\/p\u003e\n\u003cp\u003e-Steve Guttenberg\u003c\/p\u003e\n\u003cp data-start=\"38\" data-end=\"391\"\u003eThe Luxman E-07 Phono Preamplifier is a reference-grade phono stage engineered to extract every musical nuance from your vinyl collection with precision and depth. Designed for both moving magnet (MM) and moving coil (MC) cartridges, it delivers unmatched tonal balance and transparency for analog enthusiasts seeking the highest level of performance.\u003c\/p\u003e\n\u003cp data-start=\"393\" data-end=\"794\"\u003eThe Luxman E-07 features independent left and right channel circuitry and a non-feedback RIAA equalizer for accurate phono equalization with exceptional linearity. Its custom MC step-up transformers, using super permalloy cores, achieve ultra-low distortion and exceptional signal-to-noise ratio. The result is vivid musicality, effortless dynamics, and the warmth that defines true analog playback.\u003c\/p\u003e\n\u003cp data-start=\"796\" data-end=\"1122\"\u003eBuilt with a triple OI-core power transformer design, the Luxman E-07 isolates left, right, and control circuits to preserve clarity and minimize noise. Adjustable impedance and capacitance settings ensure perfect cartridge matching, and front-panel controls allow instant switching between MM, MC-H, and MC-L gain settings.\u003c\/p\u003e\n\u003cp data-start=\"1124\" data-end=\"1422\"\u003eWith balanced XLR and unbalanced RCA inputs and outputs, mono playback mode, and a subsonic filter, the Luxman E-07 integrates easily into any high-end system. Its heavy chassis, cast-iron feet, and Luxman’s signature white aluminum finish underscore its luxurious build and technical excellence.\u003c\/p\u003e\n\u003cp data-start=\"1424\" data-end=\"1571\"\u003eThe Luxman E-07 Phono Preamplifier is ideal for serious vinyl collectors who demand absolute fidelity and craftsmanship from their analog system.\u003c\/p\u003e\n\u003cp data-start=\"1573\" data-end=\"1769\"\u003eFor assistance or product questions, call 443-402-5055 or text 443-402-5064 to reach our team. All Elite Audio is an authorized Luxman dealer in Maryland and operates a full home audio showroom.\u003c\/p\u003e\n\u003chr data-start=\"1771\" data-end=\"1774\"\u003e\n\u003cp data-start=\"1776\" data-end=\"2510\"\u003e\u003cstrong data-start=\"1776\" data-end=\"1798\"\u003eKey Specifications\u003c\/strong\u003e\u003cbr data-start=\"1798\" data-end=\"1801\"\u003e• Phono Inputs: MM \/ MC-H \/ MC-L selectable\u003cbr data-start=\"1844\" data-end=\"1847\"\u003e• Input Sensitivity: MM 3.2 mV, MC-H 0.37 mV, MC-L 0.12 mV\u003cbr data-start=\"1905\" data-end=\"1908\"\u003e• Gain: MM 38 dB, MC-H 57 dB, MC-L 66 dB\u003cbr data-start=\"1948\" data-end=\"1951\"\u003e• Input Impedance: MM 47 kΩ; MC 4.7 \/ 10 \/ 40 \/ 100 \/ 300 \/ 1k Ω (switchable)\u003cbr data-start=\"2028\" data-end=\"2031\"\u003e• Load Capacitance (MM): 0 \/ 100 \/ 220 \/ 320 pF\u003cbr data-start=\"2078\" data-end=\"2081\"\u003e• Frequency Response: RIAA ±0.1 dB (MM), ±0.3 dB (MC)\u003cbr data-start=\"2134\" data-end=\"2137\"\u003e• Total Harmonic Distortion: 0.003%\u003cbr data-start=\"2172\" data-end=\"2175\"\u003e• S\/N Ratio (IHF-A): MM 88 dB, MC-H 81 dB, MC-L 78 dB\u003cbr data-start=\"2228\" data-end=\"2231\"\u003e• Outputs: RCA Unbalanced (300 Ω), XLR Balanced (600 Ω)\u003cbr data-start=\"2286\" data-end=\"2289\"\u003e• Power Supply: Triple OI-core transformer design\u003cbr data-start=\"2338\" data-end=\"2341\"\u003e• Dimensions (W × H × D): 17.3\" × 3.6\" × 16\"\u003cbr data-start=\"2385\" data-end=\"2388\"\u003e• Weight: 29 lbs (13.2 kg)\u003cbr data-start=\"2414\" data-end=\"2417\"\u003e• Finish: Brushed aluminum front panel in Luxman signature white\u003cbr data-start=\"2481\" data-end=\"2484\"\u003e• Availability: In Stock\u003c\/p\u003e\n\u003chr data-start=\"2512\" data-end=\"2515\"\u003e\n\u003cp data-start=\"2517\" data-end=\"2576\"\u003e\u003cstrong data-start=\"2517\" data-end=\"2574\"\u003eTop 20 Questions About Luxman E-07 Phono Preamplifier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"2581\" data-end=\"2766\"\u003e\u003cstrong data-start=\"2581\" data-end=\"2634\"\u003eWhat cartridge types can the Luxman E-07 support?\u003c\/strong\u003e\u003cbr data-start=\"2634\" data-end=\"2637\"\u003eThe Luxman E-07 supports both moving magnet (MM) and moving coil (MC) cartridges with adjustable impedance and gain options.\u003c\/p\u003e\n\u003cp data-start=\"2771\" data-end=\"2923\"\u003e\u003cstrong data-start=\"2771\" data-end=\"2821\"\u003eDoes the Luxman E-07 include balanced outputs?\u003c\/strong\u003e\u003cbr data-start=\"2821\" data-end=\"2824\"\u003eYes, it includes both balanced XLR and unbalanced RCA outputs for flexible system integration.\u003c\/p\u003e\n\u003cp data-start=\"2928\" data-end=\"3085\"\u003e\u003cstrong data-start=\"2928\" data-end=\"2981\"\u003eHow adjustable is the loading on the Luxman E-07?\u003c\/strong\u003e\u003cbr data-start=\"2981\" data-end=\"2984\"\u003eThe E-07 offers selectable impedance and capacitance adjustments for precise cartridge matching.\u003c\/p\u003e\n\u003cp data-start=\"3090\" data-end=\"3256\"\u003e\u003cstrong data-start=\"3090\" data-end=\"3141\"\u003eWhat is the sound character of the Luxman E-07?\u003c\/strong\u003e\u003cbr data-start=\"3141\" data-end=\"3144\"\u003eThe Luxman E-07 delivers a transparent, dynamic, and natural analog presentation with superb tonal balance.\u003c\/p\u003e\n\u003cp data-start=\"3261\" data-end=\"3406\"\u003e\u003cstrong data-start=\"3261\" data-end=\"3312\"\u003eDoes the Luxman E-07 include a subsonic filter?\u003c\/strong\u003e\u003cbr data-start=\"3312\" data-end=\"3315\"\u003eYes, it has a selectable subsonic filter to reduce low-frequency rumble and resonance.\u003c\/p\u003e\n\u003cp data-start=\"3411\" data-end=\"3541\"\u003e\u003cstrong data-start=\"3411\" data-end=\"3465\"\u003eWhat gain levels are available on the Luxman E-07?\u003c\/strong\u003e\u003cbr data-start=\"3465\" data-end=\"3468\"\u003eIt provides 38 dB (MM), 57 dB (MC-H), and 66 dB (MC-L) gain options.\u003c\/p\u003e\n\u003cp data-start=\"3546\" data-end=\"3700\"\u003e\u003cstrong data-start=\"3546\" data-end=\"3593\"\u003eWhat power design does the Luxman E-07 use?\u003c\/strong\u003e\u003cbr data-start=\"3593\" data-end=\"3596\"\u003eIt uses a triple OI-core transformer design with dedicated power supplies for each circuit section.\u003c\/p\u003e\n\u003cp data-start=\"3705\" data-end=\"3888\"\u003e\u003cstrong data-start=\"3705\" data-end=\"3770\"\u003eIs the Luxman E-07 quiet enough for low-output MC cartridges?\u003c\/strong\u003e\u003cbr data-start=\"3770\" data-end=\"3773\"\u003eYes, with its high gain and low-noise circuit design, it performs exceptionally with low-output MC cartridges.\u003c\/p\u003e\n\u003cp data-start=\"3893\" data-end=\"4023\"\u003e\u003cstrong data-start=\"3893\" data-end=\"3942\"\u003eCan I play mono records with the Luxman E-07?\u003c\/strong\u003e\u003cbr data-start=\"3942\" data-end=\"3945\"\u003eYes, it includes a mono mode for accurate playback of mono vinyl records.\u003c\/p\u003e\n\u003cp data-start=\"4029\" data-end=\"4217\"\u003e\u003cstrong data-start=\"4029\" data-end=\"4092\"\u003eWhat type of chassis construction does the Luxman E-07 use?\u003c\/strong\u003e\u003cbr data-start=\"4092\" data-end=\"4095\"\u003eThe E-07 features a rigid chassis with cast-iron feet and internal copper shielding for vibration and noise control.\u003c\/p\u003e\n\u003cp data-start=\"4223\" data-end=\"4390\"\u003e\u003cstrong data-start=\"4223\" data-end=\"4288\"\u003eDoes the Luxman E-07 support balanced input from a turntable?\u003c\/strong\u003e\u003cbr data-start=\"4288\" data-end=\"4291\"\u003eYes, the balanced XLR input allows use with turntables equipped with balanced tonearm cables.\u003c\/p\u003e\n\u003cp data-start=\"4396\" data-end=\"4549\"\u003e\u003cstrong data-start=\"4396\" data-end=\"4457\"\u003eHow accurate is the RIAA equalization on the Luxman E-07?\u003c\/strong\u003e\u003cbr data-start=\"4457\" data-end=\"4460\"\u003eIt achieves ±0.1 dB for MM and ±0.3 dB for MC, ensuring precise tonal reproduction.\u003c\/p\u003e\n\u003cp data-start=\"4555\" data-end=\"4725\"\u003e\u003cstrong data-start=\"4555\" data-end=\"4621\"\u003eIs the Luxman E-07 suitable for reference-level vinyl systems?\u003c\/strong\u003e\u003cbr data-start=\"4621\" data-end=\"4624\"\u003eAbsolutely. It is designed for high-end systems demanding the best possible analog performance.\u003c\/p\u003e\n\u003cp data-start=\"4731\" data-end=\"4858\"\u003e\u003cstrong data-start=\"4731\" data-end=\"4788\"\u003eWhat kind of distortion does the Luxman E-07 produce?\u003c\/strong\u003e\u003cbr data-start=\"4788\" data-end=\"4791\"\u003eThe E-07 achieves ultra-low distortion levels of just 0.003%.\u003c\/p\u003e\n\u003cp data-start=\"4864\" data-end=\"5051\"\u003e\u003cstrong data-start=\"4864\" data-end=\"4937\"\u003eDoes the Luxman E-07 include any remote control or volume adjustment?\u003c\/strong\u003e\u003cbr data-start=\"4937\" data-end=\"4940\"\u003eNo, it is a dedicated phono stage and connects to your preamp or integrated amplifier for volume control.\u003c\/p\u003e\n\u003cp data-start=\"5057\" data-end=\"5214\"\u003e\u003cstrong data-start=\"5057\" data-end=\"5119\"\u003eCan I switch easily between cartridges on the Luxman E-07?\u003c\/strong\u003e\u003cbr data-start=\"5119\" data-end=\"5122\"\u003eYes, the front panel controls allow quick switching between MM, MC-H, and MC-L inputs.\u003c\/p\u003e\n\u003cp data-start=\"5220\" data-end=\"5373\"\u003e\u003cstrong data-start=\"5220\" data-end=\"5272\"\u003eDoes the Luxman E-07 use feedback in its design?\u003c\/strong\u003e\u003cbr data-start=\"5272\" data-end=\"5275\"\u003eNo, it uses a non-feedback equalizer circuit for natural and distortion-free tonal response.\u003c\/p\u003e\n\u003cp data-start=\"5379\" data-end=\"5524\"\u003e\u003cstrong data-start=\"5379\" data-end=\"5412\"\u003eHow heavy is the Luxman E-07?\u003c\/strong\u003e\u003cbr data-start=\"5412\" data-end=\"5415\"\u003eIt weighs approximately 29 pounds (13.2 kg), reflecting its solid construction and robust power supply.\u003c\/p\u003e\n\u003cp data-start=\"5530\" data-end=\"5652\"\u003e\u003cstrong data-start=\"5530\" data-end=\"5567\"\u003eIs the Luxman E-07 made in Japan?\u003c\/strong\u003e\u003cbr data-start=\"5567\" data-end=\"5570\"\u003eYes, the Luxman E-07 is handcrafted in Japan to Luxman’s exacting standards.\u003c\/p\u003e\n\u003cp data-start=\"5658\" data-end=\"5825\"\u003e\u003cstrong data-start=\"5658\" data-end=\"5696\"\u003eWho should choose the Luxman E-07?\u003c\/strong\u003e\u003cbr data-start=\"5696\" data-end=\"5699\"\u003eThe Luxman E-07 is ideal for vinyl enthusiasts and audiophiles seeking a precision-built, reference-quality phono stage.\u003c\/p\u003e\n\u003cp data-start=\"5827\" data-end=\"6021\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eFor assistance or product questions, call 443-402-5055 or text 443-402-5064 to reach our team. All Elite Audio is an authorized Luxman dealer in Maryland and operates a full home audio showroom.\u003c\/p\u003e","brand":"Luxman","offers":[{"title":"Default Title","offer_id":44591812542517,"sku":null,"price":7995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/1704\/1461\/files\/2_30d59c4a-b93f-42cd-a22f-c7e8eb8a9229.png?v=1752935917"}],"url":"https:\/\/alleliteaudio.com\/collections\/customer-favorites-phono-preamps.oembed","provider":"All Elite Audio","version":"1.0","type":"link"}